D&R Analog & Digital

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D&R BROADCAST PRODUCTS

LYRA Digital Production mixer

SCORPIUS Digital On-Air mixer

SIRIUS Modular Digital On-Air mixer

AIRLAB Modular on-air programmable broadcast console

AIRMAX 19" Digitally controlled broadcast/production mixer

AIRMATE 19" rack broadcast production mixer

TIMER 9.5" rack broadcast timer

TELEPHONE HYBRID-1 9.5" rack passive hybrid

TELEPHONE HYBRID-2 19" rack active hybrid

TELEPORTER-2 Field reporter communication unit

SICO UNIT mk3 Remote control for the broadcast consoles

COBRANET™ Audio Network solutions.

MCU Macro Control Unit for CobraNet Manager

 

D&R ANALOG RECORDING CONSOLES

OCTAGON 48 buss digitally controlled analog 7.1 mixing console

CINEMIX-2 24 buss digitally controlled analog 5.1 mixing console

Vision 8 Buss Recording / SoundReinforcement Mixer

D&R Octagon 7.1 Surround Mixing System

 

The OCTAGON is D&R’s top of the line digitally controlled analog large multi-format production console. The OCTAGON is aimed at the film and post market as well as serving music recording studio’s with multi-format surround sound options. A mixing console that can be built up out of a number of modules according to your choice! D&R can customize your frame configuation to order. The OCTAGON is the culmination of 25 years of music recording console design in combination with the users feedback from Cinemix customers. With in-depth knowledge of audio post-production we have managed to create this new multi-format audio console that combines the advantages of an analog audio path with fast repeatable digital control. The result is a highly flexible multi-format console for music recording studios, film mixing studios and post-production houses that are using film style techniques.

D&R Cinemix 5.1 Surround Mixing System

 

  • ..6 Channel wide dedicated main buss
  • ..Full LCRS and 5.1 panning on every module
  • ..24 Digitally Routed tracking Busses
  • ..Dedicated 6-way monitor returns
  • ..Dedicated audio interfaces for connection of ..outboard surround processors (e.g. Dolby CP65 or SEU4/SDU4)
  • ..Optional 24/6 film-style monitor matrix for full stems monitoring Traditional film-style routing
    ..Signal stays in the Analog Domain at all times

 

AirMate 8 channel triple input radio production console, Model 2008 with stereo Aux € 2.000,00 ($2,600.00 USD)

The Airmate console was designed to fulfill the need for a low cost radio production mixer.
Built around well proven low noise circuitry, this console is a reliable workhorse for the efficient self-op production D.J.
Eight triple input modules in a 19" rack mounted R.F. shielded heavy duty steel chassis opens up a rarely encountered flexibility.
Line B can accept a plug in R.I.A.A. equalized phono pre-amp on every module, when necessary.
Every module has a balanced mic input with phantom power as standard.
The On switch on the front panel is wired in series with the fader start switch to either select a fader start or a hard ON start.
Fader start is active on both the mic and Line mode of the module.
The start jack connector is wired to a completely isolated sealed reed relay for perfect interfacing with all sorts of equipment
A level restricted 3 band equalizer smoothly corrects frequency problems.
The Stereo Aux send is either pre or post fader jumper able on the PCB's.
On the mic input signal path is a jumper to activate a high cut filter for better intelligibility on speech.
The input channels have control lines for "Mic-on" signaling and a clean feed audio buss to drive external Telephone Hybrids.
Apart from the usual master controls such as a stereo master fader, Aux send and return, Monitor master with "follow phones" and a
Phones output with split control,
there is a special Radio On-air/production section in the Airmate.
Features such as "self-op" switching to automatically cut-off control room level when the D.J. mic is active are standard.
A Clean feed output drives Telephone hybrids for talk shows and interviews.
There is a special Announcer output that normally follows the main output but can be switched to follow phones, so the main output can be heard or any Cue signal that is selected, when in the "follow Phones" mode.
There is a built in highly sensitive electret Talkback microphone for easy communication to the Clean feed , Aux and Announcer outputs.
A large Talkback switch makes communication very comfortable.
The Airmate was designed to be the centerpiece of local radio production work rooms.
In many cases this could be your home! Its directly understandable features makes it the ideal companion to quickly put together radio programs on the spot.
We think that this small and reliable 19" rack mixer will certainly find its way to many production rooms.
It could even be used as an ON-Air mixer for low budget operations, whereby the mixer would never be obsolete when larger scale mixers
are installed in the studio to replace the Airmate.
Think about this before you spend your budget.
The Airmate was designed to be your problem solver when the "big" mixers are fully booked.
If you do require further information please do not hesitate to contact one of our offices or send a email.
  • Mic input balanced 2 kOhm.

  • 48volt phantom powering.

  • Mic noise -122 dBr (A-weighted).

  • Sensitivity: -70dB min, 0dB maximum.

  • Line inputs: unbalanced, 10kOhm, Cinch gain range 40dB.

  • Phono inputs: unbalanced, 47kOhm, 1-10 mV.

  • High: +/- 12 dB at 12kHz shelving curve.

  • Mid: +/- 12 dB at 1 kHz bell curve.

  • Low: +/- 12 dB at 60 Hz bell curve.

  • High quality K-Alps fader with fader start

 

  • Left/Right/Monitor/Aux: +4dBu (1.55volt) at 47 Ohm.

  • Tape output: -10dBv at 1kOhm.

  • Headphone: 400-600 Ohm, 500mW.

  • 2 Track return: -10dBv at 10kOhm.

  • Aux return: -10dBv at 10kOhm.

 

D&R Vision Recording / Sound Reinforcement Mixer

The Vision is one of the newest additions to D&R's collection of high quality recording & mixing consoles. A progressive sound reinforcement/recording console and designed for the most discriminating live sound and studio applications, the Vision can fit into many different sound environments. The D&R design team choose high quality components and manufacturing techniques for the Vision, such as socket mounted Analog Devices active components and ALPS pots and switches as well as glass epoxy printed circuit boards (plated on both sides where necessary). The Vision is available in 3 frame sizes ranging from 19" rack mount (will hold 12 modules) up to a full 44 module version. The Vision can be ordered with the standard master module plus any combination of input and. group modules. In addition, a deluxe master module is available with extra features. Due to the many different requirements in live sound and recording applications, the design team designed several different types of modules. As an added benefit, custom modules can be designed for specific needs.

SCORPIUS

Digital ON-AIR Broadcast Mixer

The Scorpius is a fully digital On-Air mixer. It's concept originates from the top-range broadcast consoles available on the market today. The core of the Scorpius is a sophisticated DSP engine. This processing engine involves the latest developments in DSP technology by Texas Instruments. An intense cooperation between T.I. and D&R has resulted in a digital audio mixer offering tremendous DSP power and a superb sonic quality. Although the Scorpius is a digital console, it is operated with the same comfort as a conventional analog broadcast mixer. No fundamental concessions have been made towards reliability, high speed controller-response and system stability.

The SIRIUS all digital on-air console is just as easy to use as your analog console. It is astonishing simple in operation, yet has all the power software can offer you. A simple directly accessible and modular control surface enables customizing to station requirements. Access to more complex functions for technical users is available on the optional Super Module Control Surface. Purchasing choices are straightforward: Modular input and output control surfaces, a modular control room section, a modular "super module" control surface and a 19" rack with all the interface modules to communicate with the outside world. All pots are motorized for ease of identification. A maximum of two control surface frames (holding 16 input faders) can be installed. A total of 64 inputs can be assigned to any of the 16 input faders. The output section has 4 Program busses, 8 Group busses, 8 Cleanfeed busses and 6 Aux. busses that can be assigned to any of the 64 outputs.

D&R MicAmp

This two channel balanced microphone pre-amp is designed for high-end recordings where transparency and superb brilliance is a necessity. An ideal replacement for high and low quality mixing console pre-amps. Integral 48 volt phantom power and phase switching is standard. We use the same circuitry and components in our top of the line Octagon Console. Two units can be rack mounted side by side for 4 channels of clean quiet sound.

SPECIFICATIONS

Inputs: XLR female Outputs: XLR male

Phantom power: +48 volt switchable

Phase reverse switch on both channels

Gain range: 60dB Noise: -129,00dBr (A weighted)

Distortion: Lower than 0.0015%

Power supply: 115/230 volt 50/60Hz

 

SIRIUS

Modular Digital ON-AIR Broadcast Mixer

The SIRIUS all digital on-air console is just as easy to use as your analog console. It is astonishing simple in operation, yet has all the power software can offer you. A simple directly accessible and modular control surface enables customizing to station requirements. Access to more complex functions for technical users is available on the optional Super Module Control Surface. Purchasing choices are straightforward: Modular input and output control surfaces, a modular control room section, a modular "super module" control surface and a 19" rack with all the interface modules to communicate with the outside world. All pots are motorized for ease of identification. A maximum of two control surface frames (holding 16 input faders) can be installed. A total of 64 inputs can be assigned to any of the 16 input faders. The output section has 4 Program busses, 8 Group busses, 8 Clean-feed busses and 6 Aux. busses that can be assigned to any of the 64 outputs.

Distributed and supported in the United States by:

SF Corporation
A Texas Corporation

Contact: Paul Westbrook

Phone: (210) 401-1987

Email: prw@softfiles.com

For a more in-depth look at all D&R products, you are welcome to visit the D&R factory web site.

D&R